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high-end winter break through the fog of spunbond

 
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PostPosted: Thu 6:00, 10 Mar 2011    Post subject: high-end winter break through the fog of spunbond

Fashion has frequently reflected overseas influences, despite war or trade restrictions: returning crusaders introduced silks and damasks, emphasis on Germanic puffs and slashes yielded to Spanish bombast (padding) and rigid outline as that country's power advanced in the 16th cent., puritan dress had similarities with its Dutch equivalent, and French influence on taste generally was enormous after the Restoration and for most of the 18th cent. The bloomer costume, adopted by some early female emancipators, originated in mid-19th-cent. America,banners signs, and in the 20th cent., Parisian couture-houses led the way,LED scrolling sign, even if designs were watered down for high-street shops, and the growing trend towards informality and casual wear has lessened their importance. American influence may be seen in the proliferation of baseball caps, for young and old, and jeans for the former.
hat headdress developed from the simple close-fitting cap and hood of antiquity. The first hat, which was distinguished as such by having a brim, was the felt petasus of the Greeks,neon sign, which tied under the chin and was worn by travelers. The decorative peaked cap was most popular in the Middle Ages. Later the medieval hood evolved into the 14th cent. turbanlike chaperon with hanging ends, called liripipes; the liripipes originated with the tassels on strings that had been added to the hoods of cloaks. The simple close-fitting coifs, gorgets, wimples, and veils of early medieval women gave way (in the 14th cent.) to netlike headdresses of jeweled gold wire known as cauls and crespins and later to conical hennins and large decorative butterfly and horn-shaped headdresses with starched veils.


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