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Sholokhov, and Yu Hua and Lu Yao


  writing of suffering into almost every good Writers. This is not the secret of attraction works, but for the existence of life, suffering closest to the essence of life. When we have to focus through the mediocrity of the reality of life, the suffering of the set will increase our penetration of the eyes as large as possible, we thus see the life force, see the life of the Ren Ren, see the life The Park of the United States alone mediocre.
  Sholokhov's description of the suffering of the quiet and adequate strength, he wrote 伊里伊奇娜 heard her husband's death, a tear did not fall, but more inward. The narrative of this quiet area as large as Russia, there is a broad and rapidly moving forces. On this point,[link widoczny dla zalogowanych], Yu Hua in the \Only the narrative of this quiet contemporary critics have been played a new name, what zero narrative, or narrative below zero. But in essence, the author must be more than good times, borders, geographical boundaries and surprisingly similar,[link widoczny dla zalogowanych], there are not removed, the time when those who study the former, but this study also illustrates the need for literature and art together rules exist.
  in contemporary Chinese literature, Lu Yao is widely accepted by the lower readers and friends, especially in rural areas or have deep-rooted links with the rural people especially. But the critics are out, and the reason is very simple, just because Yao is realistic calligraphy writing. Simple works for no reason, no pattern of narrative trap, not critics to interpret lengthy,[link widoczny dla zalogowanych], as long as the level of junior middle school education can read. However, this does not mean that Yao's novel is not the power of art, on the contrary, I think, in China, few people pen force, compared with him. He said that in China, realism is not outdated, but do not have sufficient development, he wrote \In \
  with Shaw's and Yu Hua described the suffering endured difference is that Yao made another deal with the suffering of the way into the suffering that is active, like Sun Shaopins it, like a sack over his shoulder Kangshang , has been non-stop walking. This seems to be attributed to religion in the \death, war, poverty and backwardness more vulgar torture, which seems ridiculous and pathetic. People are trapped inside when the threat of death can have a high psychological advantage, get spiritual satisfaction, but poor long-term numbness in life, only to die slowly of indecency. Therefore, the Yao in the \suffering, because suffering can make life force to manifest, to stretch. Russia's vast background and the Loess Plateau grasslands are quite similar emotional space, vast and bare, old, open, read, \have the same deep sense of beauty and open the U.S..
  Yao, Yu Hua, as the best contemporary writers, their works might be tied for the row with Sholokhov's not because I wish to raise the status of our Chinese writers, but their every word blood in the writing, the exploration of life also has long-term suffering of the moving force.
  Gretchen high, the Fu Gui, Sun Shaopins,[link widoczny dla zalogowanych], when they meet on the road and saw an old woman who lost her son cried when they will say, my eyes saw Gretchen may be high in dismounted from the poor old woman kiss on the cheek, FUGUI may sit down to stay with her own experience that for a while Sun Shaopins may be excited to tell the old woman, he is her son ... ... the three writers, who Although the treatment of suffering is different, but one thing is shared, and that they have in their works reveal a generous and gentle love of the students.
  life and suffering is always the ultimate sense of literary themes. At this point,[link widoczny dla zalogowanych], all the world's best writers are concerned about, but not only Sholokhov, Yu Hua and Lu Yao.

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